Crop Circle at Stonehenge

The Crop Circle at Stonehenge

While the crop circle above was widely photographed and shown in media, the only photo I have found that was taken directly overhead is the one above and is used in this report.  In order to find any potential design plan, the photo needs to be nearly perpendicular to the axis of the crop circle. Such a photo can then be imported into CAD software and design characteristics determined if they exist. In this case, the design is so complex as to essentially make it impossible for anyone on earth to have thought of, let alone execute in a field filled with crops. Even with a well-coordinated bunch of people, because of the sequential development, it would take weeks to make anything similar.

The CAD software shows the design to be very complex.  Fox example, the yellow circles (actually mostly elliptical) can be drawn using the three point circle mode and then the elliptical axis mode.  Since the image is a little fuzzy, the three point circle mode was used to find the axis angle of the eventual ellipse. The ellipse axis mode draws an axis line from one extreme of the ellipse to the opposite side.  Then the ellipse is expanded to the perpendicular side. If the ellipse is drawn without care, the short axis will not be divided equally.

Likely, most people don’t remember how to construct an ellipse using “on the ground” requirements.  A line that will become the long axis is drawn on the ground at the predetermined angle (azimuth from north, east, etc).  An arc is struck with the center at one end of the shorter axis back down to the long axis at a length of half the long axis and at two locations, one on each side of the center. Then a rope is staked at each of the two focal points and also at the end of the short green axis.  The rope is then moved around the resulting ellipse shown in black. Making this mark in tall crops would be very difficult, let alone stomping down the crop.

Using the CAD system on existing circles and ellipses is far easier than any initial construction could be.  The CAD system immediately provides the center of the three-point circle and the radius. Somebody drawing something on the ground has to start with the center of multiple yet undrawn circles and then measure off the radius and make an arc so that multiple circles or ellipses can be located.  The angle between circles must be determined by either the azimuth of the radius or by striking an arc distance from the center of the first circle to the center of the second, third, etc.

All of the larger dashed circles representing the curvature of the centers of the crop circular depressions have individual centers marked with a small cross the same color as the dashed circles. The cyan and dark magenta are easiest to find.  The three largest are the yellow, blue and red all a little covered by the thick green circle.

It is hard to imagine how a hoaxing effort limited by time would add so much complexity to their design. It is truly amazing that the perimeter of the triangle formed by the yellow, blue and red centers is 5 x 1.4204 feet, the hydrogen neutral frequency.

Let’s back up and determine how distances were determined.  The farmer is still using the same equipment to tend the crop.  That width, near 80 feet, can be measured on Google Earth to a fairly precise degree by spanning 10 tracks.  And the tracks are parallel to the road on the western side. But a key dimension is the centralized ellipse which is 25 feet in radius and near 20 feet in minor diameter. Starting at the bottom at the six o’clock position, there are 25 larger crop circular depressions as you spiral into the central ellipse.

The length of the yellow dashed circle radius is 10^(16/7) feet.  How do I know? The method of deducing design intention is to use standard numbers divided or multiplied by 2 repeatedly.  This is a technique the ancient Egyptians utilized regularly. If those techniques don’t turn up something, eventually one takes the square root multiple times. The distance determined from the scale was just over 193 feet, a prime number. Taking the square root three times is just over 1.93.  This produces an equation of x^(8) = 100 times x and the solution for x = 1.9306 and length of the line at 10^(16/7) = 193.069773.

There are eleven yellow patches but one is a circle and the ten are elliptical.  There are seven blue patches. (patches with two colors are on both circles) There are ten medium sized patches on the inside of the largest patches. There are a number of items that could represent 16. The precision of the drawing is amazing.  Items are easily found to 5 digits, which represents 1 in 100,000 probability of an accident for each event.   Considering the dozens of relationships already found, it is a certainty that the design is intended to communicate something of extreme importance.

The radius of the black dashed circle representing the centers of the black, cyan and dark magenta dashed circles is 18.38656 and the neutron/electron mass ratio is 1838.683. It does not seem likely that the ignorance of any hoaxers would show up in this manner.

The outside dark magenta circle passes thru 7 small circles nearly perfectly. The diameter of that circle is 2^(7) x 2.99792458 feet.  Notice the cross-pollination of metric units with British units. The speed of light is a very important constant and likely a part of the design of the universe. The center of the dark magenta line is exactly on the thick green line from the centralized ellipse out thru the dashed green circle of the centers of the large circles and on out to the tangent of a patch that is sitting on both the center of the yellow set of patches and the blue set of patches. The distance of the center of the dark magenta to the dashed green is 18.234557 and the real Rydberg Number is 911.75331513 /50 = 18.23506303. Then too, the primary Balmer Series hydrogen wavelength is 12.156679 x 15 = 18.23501885. The precision is simply mindboggling.

The anomalistic year 365.259740259 is for the year 5354 ce.  The  basic formula angle is 365.259740259 x .0864 gives 31.55844156  That angle subtracted from 90 degrees and divided by 16 gives the same number. Is this trying to tell us something terrible like a comet impact will happen that year? Or is it suggesting that a line from the center of the galaxy thru the sun point to their habitation?

The preceding sort of isolated data is meant to give a flavor of what is contained in this complex diagram.  After an expanded study of the data in spreadsheets and math software it becomes apparent what this crop circle is supposed to represent.  It is the plan for entering a worm hole, in my opinion. According to Wikipedia, John Wheeler and Charles Misner first coined the name “wormhole” in a paper in 1957. However, the concept of a portal had been argued for decades and recently a television series starring Morgan Freeman “Through the Wormhole” has brought attention to the concept. If you examine the crop circle you get the idea of a wormhole with the spiraling series of circles and ellipses.

The precision is staggering and at first doubtful that it could possibly be that precise.  But after several attempts to draw different circles and ellipses, the center did not move any significant amount.

The differences show that the most significant difference is 0.166 inch.  Most are within a very tiny fraction of an inch.

In the color cyan, there are three angles measured with lines drawn from the yellow dashed center to the center of smaller yellow circles or ellipses. The upper angle is 14.5217, the next down is 14.7646 and the third is 9.83788. No doubt these angles have something of importance to say but the design draws your attention by noting the ratio of 14.527/14.7646 is 9.83788 / 10 to four digits.

The Inner Circular Patches

If the outer circular items are intensely organized, the inner ones should also be organized. The below picture is just one of many.

 

Notice how many features are on a single event line or circle. The smaller circles defining the larger yellow circle only need 3 to define it but there are four on the circle. The same type of pattern develops except it is from the inside out instead of outside inward. The ratio of the yellow to green defines the radius of the blue. And note the radial blue lines are at an angle of arccosine (pi/5)= 51.07382455 and the other at 31.556926 which is the number of seconds the earth takes to orbit the sun divided by one million.

The dashed red and blue lines each have four objects on the same line. The vertical dashed green line has six objects on the same line. That cannot be an accident.  And each of these lines is a simple multiple of scientific numbers. If one attempted to show more of the relationships, the diagram becomes so cluttered one can’t see anything.

The outer most dashed blue line has a radius of 217.280994 feet and that divided by the long radius of the portal at 25 feet and then multiplied by pi/10000 and then invoke the reciprocal is 366.2422 which is one of the well-defined numbers of days in an earth year. How would somebody relate the topic of “earth” better than showing numerical representation of the year? To speak in the language of numbers requires some ingenuity and liberal interpretations. This says to me that if you want to leave earth via a portal, you may use this pattern in your preparation for travel. Most importantly, before you dive into the wormhole, one best figure out how to get back.

If you wanted to say something electrical you might invoke 1.6021764, the Coulomb constant.  Or if something about an electron, what better way than to make a number a multiple of 9.10938356, the digital portion of the mass of an electron without all the zeros. When you get right down to it, if there are millions of intelligent races, or perhaps God Himself, they probably communicate in a manner like this initially. One would surmise there to be literally millions of languages even if they are telepathically exchanged.

This is a two dimensional representation of a three dimensional plan. The distances in and out of the page could be millions of miles or much larger.  A space ship traveling at the speed of light would travel huge distances while it was vibrating in this preparatory manner.  The elliptical objects could represent a spherical space ship that was itself vibrating. The shrinking of the size of the patches could represent the ship getting farther away from the potential viewer.  The change in the angle of the radii may represent the orbital changes as the ship orbits a particular central axis.

If the central ellipse is to represent the entrance to the portal or wormhole, what would one want for a fairly direct label that tell people like us what it is? From the scale we can see the long radius is 25 feet and the short is near 20. That exact ellipse would have a perimeter of near sqrt 2 x 100. But that doesn’t seem to suggest anything to do with a wormhole or universe.

Very near that perimeter would be 100 x 1.420405752 which represents the hydrogen neutral frequency.  This frequency is what earth people at SETI use to search all over the galaxy and beyond for signs of intelligence sending out orderly electromagnetic information. The fuzzy nature of the picture would easily allow for the perimeter to vary 142 +/- 1 foot.  If the designers want us to use the 142.04…perimeter, then there needs to be something else that indicates it is intended.

What would be a good way to indicate intention after the perimeter is used for initializing the theory?  Perhaps the area of the ellipse would be a good first trial. The perimeter at 142.0405752 divided by pi yields the sum of the radii and the area is the square of that times pi or 6422.069065. There are a number of formulae which yield interesting numbers but it is the 1/8^th root and multiplied by 5 that yield 14.95992361.  That compares closely with 14.95979856 (from quantum mechanics) and that compares well with 14.95978707 which is our definition of the astronomical unit, less some of the zeros. Our whole astronomical effort uses the AU (astronomical unit) to relate data regarding all the visible matter in our universe.

Therefore, it is not a major stretch to think this design is meant to call attention to the central ellipse as a portal to a wormhole-like affair. Given that potential assumption, we can then backtrack thru the thousands or millions of combinations of data in the pattern to see if we can refine the connectivity and more elaborate design intent.

A full examination of this pattern is not for somebody with a slide rule or calculator.  This pattern develops encyclopedic volumes of data that requires some serious computing capability to fully come to focus. Definitely not unlike the data in the movie “Contact”.

Next Read

see also www.crop-circle-face.blogspot.com

www.billy-meier-case-is-real.blogspot.com
 

Knowhow at ctcweb dot net